11/22/2023 0 Comments David blight school of dance facebook![]() The importance of hope Increasingly tucked away in letters and articles on the referendum is the word “hope”. However, a narrow win for the Yes case could leave the nation divided over constitutional reform in a way it has never experienced. If the No case prevails in 2023, a similar response is likely. ![]() On 36 occasions, most recently in the 1999 republic referendum, the nation accepted the result and moved on. ![]() ![]() Australia is familiar with unsuccessful referendums. The 91 per cent support achieved in 1967 is a pipe dream. It is very unlikely similar results can be achieved in 2023. The average national vote in favour of the eight successful referendums was 73.5 per cent. The state result in the eighth was five in favour, one opposed. Of the eight successful referendums since 1901, seven received the support of all six states. Such a result would take Australia into uncharted political territory. The uncharted territory of a narrow Yes win It seems the best the Yes case in the Voice referendum can now achieve is a narrow victory. Only then will there be some hope of progress. This cycle of intergenerational disadvantage, rooted in disrespect and lack of consultation, is a prime example of why we must enshrine a permanent and representative Voice for our First Nations peoples in the Constitution, protected from the usual political chicanery. There are now some new initiatives allowing care in extended family, maintaining connection to culture and family, which offer real hope but which are underused. The underlying problem driving much of this is a lack of consultation with and respect for the affected communities. This perpetuates a repeating cycle of intergenerational disadvantage. The lack of choices available has been incredibly destructive – for years it was either care in a damaged extended family of origin or care under the department which had so damaged the previous generation. Many were from First Nations families who were in crisis. I am now old enough to have had the depressing experience of having to remove the children of the children whom I removed from families earlier in my career. See here for our rules and tips on getting your letter published. No attachments, please include your letter in the body of the email. Information on current offerings may be found at or /broadwayontheboulevard.To submit a letter to The Age, email Please include your home address and telephone number. For adults intrigued by the world of performing arts, the studio has the aforementioned programs available, as well as plans to include activities like yoga. If young people want to join Briana on the dance floor, registration for fall classes is open. “When I grow up, I can be in charge of the studio if my dad doesn’t want to, and I can rule the studio,” she said. “You can move in a funky way.”īriana is looking forward to being a dance teacher like Leandri someday, but her ambition doesn’t stop there. “I can express myself and there’s a lot of cool movements in hip hop,” Briana said. “I really want to share my knowledge and passion for dancing with them.”īriana Chikowski is excited to get back into the studio and start learning - especially in hip hop class. “I can only hope to really influence these girls and inspire them to be the best that they can be, because they all are so gifted and it’s great for them to really express that creativity,” Leandri said. Now that the newly remodeled studio is open for business, Leandri is excited to build Broadway on the Boulevard into an inclusive and educational performing arts experience. We worked with Wilkes University and their small business development center.”Ĭhikowski said the business plan took a year and a half to put together, but he was motivated by his daughters’ passion for dance and his family’s history with the school - Chikowski’s mother and sisters were also former students of the studio. “Then it took a very long process of going to banks trying to get the right funding source. “He said, “I’m going to buy the studio I want you to run it,” Leandri recalled. That summer, Chikowski came to her with his proposal. She performed as part of the studio’s competition team, became an instructor at the school as a teenager and was promoted to studio manager by the time she graduated from Wilkes University in 2017. Leandri, 23, is a Wyoming native who said she “practically took first steps” at Pittston David Blight School of Dance. There, they learned under their father’s new business partner Rachel Leandri. Chikowski’s daughters Carlie, 3, and Brianna, 10, danced at the studio when it was Pittston David Blight School of Dance.
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